Since established as a fashion graduate in 1994, opened his own store in London’s Mayfair and its collections are worn by international celebrity clients. Ten years have passed since your business is established and now has one pound international fashion brand of several million. “I hate the comfort zone of expression,” said Matthew Williamson Resort 2015 presentation on “The phrase implies a lack of appetite for new ideas or you are just plain lazy-and we are just the opposite.
Williamson mentioned this because Resort marked a return to his boho roots after a few seasons of “woman’s work” vibe, which bore fruit in the market, but it was shocking to some of its most loyal customers. Born in Chorlton, Manchester in 1971, seventeen years old, won a place in the course of Fashion and Textiles at Central St. Martins College of Art and Design in London.
After graduation in 1994, he concentrated on developing his own collection, while working part time for fashion companies such as Monsoon and Marni. From the beginning, Williamson’s ideas have been derived from a range of sources, both academic and intuitive. His early sketches, photographs and artwork give an idea of their work process of the initial inspiration and application of pattern, texture and color to the finished product on the catwalk. A highlight of the first part of the collection was a monkey with broad brushstrokes of pink on a creamy white background. The print was hand painted, and then went to look at a computer.
Williamson’s goal of being sweet, innocent, and exciting at the same time was achieved. They also emphasized on a high point viscous-baby blue with a pattern in the form of high snake paired with a floral skirt wonderfully light. A lace dress butterfly in a “toxic lime green” felt fresh and desirable. A sky-blue silk dress in a butterfly pattern hand-beaded, fluted sleeves had layers and very special. “Eccentricity English” was the topic du jour forMatthew Williamson.
But most remarkable of Williamson’s latest collection was his very English expression of another value, circumspection. Designer usual exuberance was at stake here in your color palette of jewel tones and the bright prints that Riffed home landscape field, like ripe fruit for the plucking and bells up a trellis. But Williamson silhouettes erred on the side of the prim, and its use is stopped beautification atypically. The exhibition pieces were beaded evening dresses at the end.
They combined high-octane glamor at full throttle with an attention to detail as linear layers of ostrich feathers, jacquard stripes, and grains. “Everything is hand stitched in India,” Williamson said, “We have machines there.” As for evening dresses go, that sounds pretty boho.There was crusted with clear sequins on the bodice of a gown floral pique cotton, for example, which made the dress to catch the light, and a ring delicate embroidery thread around the waist of a dress navy suit….!
